The San Diego Union-Tribune

In her essay on Ronan Day-Lewis’s Anemone, Polina Cosgrave unpacks a film that drifts between memory, myth and the metaphysical.

Essay: Anemone - Consider the Lilies ↗

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In anticipation of the release of Testimony today and reviewing Margo Harkin’s Stolen, Seán Patrick Donlan looks at the portrayal of Irish institutions in film.

Essay: Screening for Help – Irish Care and Confinement ↗

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Lynn Ramsey sits down with our Festival Correspondent Shannon Cotter to talk Cannes, Jennifer Lawrence, and the visual look of one of 2025’s most daring films.

Article: “I had to find my way into it,” Lynn Ramsey on Die My Love ↗

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This week at the IFI, filmmaker and activist Róisín Kearney saw Born That Way, a film that hits very close to home. She spoke with filmmaker Éamon Little to learn more about his important documentary.

Article: The Great Reset the World Really Needs: In Conversation with Born That Way Filmmaker ↗

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Will Penn takes to the stand in his review of Testimony.

Review: Testimony ↗

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In the latest episode of the State of the Arts Podcast, host, filmmaker and writer Des Doyle chats with Steven S.DeKnight, acclaimed screenwriter, director, producer, and creator/showrunner behind some of the most influential genre series of the past two decades.

State of the Arts Podcast: Showrunner Steven S. DeKnight (Spartacus: House of Ashur) with host Des Doyle ↗

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Mutale Kampuni casts an eye on important subject matter in her review of documentary 'Born That Way'.

Review: Born That Way ↗

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Jill Beecher chats with production designer and art director Mary Florence Brown, whose striking visual worlds are shaping some of the most talked-about projects in music and on screen.

Mary Florence Brown: Designing Worlds Between Art and Imagination ↗

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